Thursday, 30 June 2022
Think About It 076: WISLAWA SZYMBORSKA
Thursday, 8 December 2016
Think About It 020: WISLAWA SZYMBORSKA
The historian calmly leafs through Gilgamesh, that most ancient epic of humankind, and immediately latches on to what he needs, ie. 'one of the earliest testaments to the formation of the state leadership’s social base.' The poet isn’t equipped to relish the epic for such reasons. Gilgamesh might just as well not exist for him if it holds only such information. But it does exist, because its titular hero mourns the death of his friend. One single human being laments the woeful fate of another single human being. For the poet this fact is of such momentous weight that it can’t be overlooked in even the most succinct historical synthesis. As I say, the poet can’t keep up, he lags behind. In his defense I can only say that someone’s got to straggle in the rear. If only to pick up what’s been trampled and lost in the triumphal procession of objective laws.
Nonrequired Reading (2002)
Use the link below to read more (in English) about the life and work of Polish poet and essayist WISLAWA SZYMBORSKA:
https://culture.pl/en/artist/wislawa-szymborska
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Poet of the Month 003: WISLAWA SZYMBORSKA
Thursday, 14 February 2013
Poet of the Month 003: WISLAWA SZYMBORSKA
No one’s got it non-stop,
for keeps.
Day after day,
year after year
may pass without it.
Sometimes
it will settle for awhile
only in childhood’s fears and raptures.
Sometimes only in astonishment
that we are old.
It rarely lends a hand
in uphill tasks,
like moving furniture,
or lifting luggage,
or going miles in shoes that pinch.
It usually steps out
whenever meat needs chopping
or forms have to be filled.
For every thousand conversations
it participates in one,
if even that,
since it prefers silence.
Just when our body goes from ache to pain,
it slips off-duty.
It’s picky:
it doesn’t like seeing us in crowds,
our hustling for a dubious advantage
and creaky machinations make it sick.
Joy and sorrow
aren’t two different feelings for it.
It attends us
only when the two are joined.
We can count on it
when we’re sure of nothing
and curious about everything.
Among the material objects
it favors clocks with pendulums
and mirrors, which keep on working
even when no one is looking.
It won’t say where it comes from
or when it’s taking off again,
though it’s clearly expecting such questions.
We need it
but apparently
it needs us
for some reason too.
STANISLAW BARANCZAK
Use the links below to read more poems by WISLAWA SZYMBORSKA and more about her life and work:
