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Thursday 26 July 2018

Think About It 039: ÁINE NÍ LAOGHAIRE


There is rarely any discussion of the minutiae of daily life as an artist, dancer or writer.  About the empty blank page, or the first line in a script to be read out loud.  The tiny, terrifying steps it takes to begin, reshape and then present any type of creation to a casually dismissive world.  But each of those tiny steps is where the joy lives –– the strangely challenging joy that convinces us to search for the next change in pitch, to sit for hours waiting for the right word to arrive, to repeat a page of lines out loud over and over until something about it clicks and then flows.  It’s that moment that gives you the momentum to push forward, further into discovery… Some days it comes more easily, some days it doesn’t come at all.  Those days are where the famed torture lurks.  But the decision to keep searching, not the suffering, is what makes an artist.  It’s not as seductive as a concept, the artist as hard worker, but it’s more approachable, more do-able, than the artist as inspired genius.

Interview [The Irish Times,17 July 2015]


 

Use the link below to read the full July 2015 article by Irish actor and performer ÁINE Ní LAOGHAIRE:

 

http://www.irishtimes.com/culture/stage/the-tortured-artist-myth-how-creativity-really-works-1.2287537

 

 

You might also enjoy:

 
Think About It 034: ETHEL BARRYMORE

 
Think About It 033: ANONYMOUS

  
Think About It 013: MARLON BRANDO

Thursday 19 July 2018

The Write Advice 110: ANTHONY BURGESS


There is more waste and frustration in the professional writer’s life than the mere reading public can know about.  Commissions are sometimes accepted and then found impossible of fulfilment.  I have known writers who have worked hard on the documentation of a life of Lloyd George or Marie Antoinette and even completed several hundred pages of a first draft, only to find that the machine will no longer go –– a lack of temperamental fuel, an inability to steer, a sudden shocking boredom with the whole journey.  One is not paid for work wasted, though one’s literary agent may be.  It is right to return an advance to the commissioning publisher, but it is dangerous to accept the advance in the first place.  It feels like money earned because time and energy have been expended.  But work is not necessarily a work.  Appalled at waste, a writer will sometimes push on hopelessly to complete a book that he needs no reviewer to tell him is abysmally bad.  The need to earn generates guilt, and guilt is partially dissolved in alcohol:  that is where a good deal of the unearned advance tends to go.

You've Had Your Time (1990)


 

Use the link below to visit THE INTERNATIONAL ANTHONY BURGESS FOUNDATION, an English-based organisation which 'encourages and supports public and scholarly interest in all aspects of the life and work of Anthony Burgess'  in addition to operating a museum/performance space in his birthplace of Manchester:

 

http://www.anthonyburgess.org/

 

 

You might also enjoy:

 
Poet of the Month 033: ANTHONY BURGESS

 
The Write Advice 032: ANTHONY BURGESS

 
The Write Advice 090: FORD MADOX FORD

Thursday 12 July 2018

Poet of the Month 049: ADELAIDE IVÁNOVA


ADELAIDE IVÁNOVA
c 2000





 
 
 
for laura



 

in 1998 when they found
the gay body of matthew shepard
his whole face was bloodied
but for two stripes
perpendicular
where his tears
had flowed
that day the cyclist
who found him did not
call the police right away
because the body of matthew
was so disfigured
that the cyclist thought he'd seen
a scarecrow

 

last saturday in são paulo
a group of men
and two Military Police killed laura
not without first
torturing her laura
was seen still alive
by some guy
who recorded
and posted the youtube video
of a laura disorientated
and who wouldn't be
blood spewing from the mouth and from the back
of the dress?

 

laura has a body
and a name that belong to her
laura de vermont (presente!)
was murdered
by men
by the state
and by our indifference
aged 18
on a saturday.


 
 
 
date unspecified

 
 
 
 
 
 
Translated by
 
FRANCISCO VILHENA



 
 
 
 
 
 
The following biographical statement appears on the website of The Poetry Translation Centre.  [It is re-posted here for information purposes only and, like the poem re-posted above, remains its author's exclusive copyright-protected intellectual property.]
 


Adelaide Ivánova is a Brazilian poet and artist (b. Recife, 1982).  She lives between Berlin and Cologne.  Her first poetry collection, O Martelo [The Hammer] was published in 2016.  Her work has been featured in English in Clinic and Alba Londres


 

 

 

Use the link below to read another poem by Brazilian poet and artist ADELAIDE IVÁNOVA:

 

 

 

http://poetrytranslation.org/poems/guerilla-bitchcraft

 

 

 

 

 

 

 

You might also enjoy: 

 

 

 
Poet of the Month 034: ZAID SHLAH

 

 

 
Poet of the Month 032: JENNIFER DENROW

 

 

 
Poet of the Month 028: CORAL BRACHO

 

 



 

Last updated 13 April 2021