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Wednesday, 14 June 2023

Poet of the Month 084: MENGISTU LEMMA

 

MENGISTU LEMMA
1925 – 1988
 
 
 
 
 
 
 
LONGING
 
 
 
 
The train hauled me out of London—
out of the smoke, the smog, the grime,
the filthy mix of soot and dust—
while the train spun fog from the fabric of steam,
clothing the land with its garment
of blessings and punishment,
Yizze kataf, yizze kataf, goes the powerful weaver.
Isn’t it amazing?  Life’s a miracle:
escaping the smog through the power of coal!
 
 
The carriage was big enough for ten,
but no one was brave enough to open the door
I’d shut fast to keep in the warmth.
Instead, they huddled in the corridor,
unwilling to share the warmth with a black man—
even though coal is black, even though
the wealth of England was forged by black coal.
 
 
The train whistled like a washint flute;
haystacks dotted the distant fields,
just like the straw roofs of houses in a village at home. And, in the blink of an eye, I turned into
'a traveller of God' in the meadows of England…
 
 
'Greetings to your household,' I cried,
I am your "black," your unexpected, guest:
and bring with me, to your kindness, God's blessing.' 'Welcome, come in!', the head of the household replied. Then his wife brought a bowl of warm water,
and kneeling down happily to wash my feet,
'Don’t be shy, my friend,' she said.
 
 
First my mouth blessed that tulla beer of Gojjam,
then a bowl arrived, and my empty stomach began to fill
as I licked the linseed oil of Gondar from my fingers;
next, chicken stew rich with curds.  Contented,
I yawned.  Sleep overcame me as I lay down
on fine cotton and was covered with wool…
 
 
Dimly, I heard the door slide open—but was fully awake
by the time it slammed shut.  I jumped,
but then calmed myself down,
glowering at the reckless young man,
the brave one who'd dared to enter my den as I slept.
But his spotless shirt and neat matching tie made me laugh: he was so amazingly clean!
 
 
 
 
? c 1952
 
 
 
 
 
 
 
 
Translated by
 
MARTIN ORWIN
 
with

 
 
 
 
 
 
 
Poet and playwright Mengistu Lemma was born in Harar, a city in eastern Ethiopia, in August 1925.  The son of an aleqa, a chief priest of the Ethiopian Orthodox Tewahedo Church, he was educated in the Ethiopian capital Addis Ababa and, from 1948, in London where he attended the Regent Street Polytechnic School and the London School of Economics.  He remained in the English capital until 1954 where he was able to meet and establish a brief friendship with the Anglo-Irish playwright, critic and political activist George Bernard Shaw prior to the latter's death in November 1950.
 
 
After returning to his homeland, Lemma was appointed First Secretary of the Ethiopian Embassy to India and relocated to New Delhi in 1957, remaining in the post until 1963.  It was during his time in India that he completed his first play Telfo Be Kissie [Marriage by Abduction, 1959] which he had originally begun as a wedding gift for a friend and subsequently translated into English following its debut performance in 1962.  He also wrote the plays Yalacha Gabicha [Marriage of Unequals, 1964], Tsere Colonialist and Bale Kaba Ena Bale Daba (1979), all of which featured a strong social message, and the first book on dramatic technique ever published in Amharic, the language of modern Ethiopia.  His fluency in English also allowed him to produce effective translations of Anton Chekhov's 1888 play The Bear and JB Priestley's popular 1945 play An Inspector Calls.  Priestley, along with William Shakespeare, was one of Lemma's formative influences as a playwright and directly inspired much of his later work for the stage in which he routinely criticized the hypocritical attitudes of the Ethiopian upper classes.

 
In later life Lemma became the Director of the Ethiopian Ministry of Foreign Affairs — a position which saw him visit Europe, North America, the USSR and Türkiye — and Secretary General of the Ethiopian Literary Society.  He was the author of several works of criticism, written in both English and his native Amharic, and a culturally significant transcription of his father's oral memoirs.  In 1967 he received the Haile Selassie I Prize Trust Award for his outstanding contributions to Amharic literature. 

 
Mengistu Lemma died in Addis Ababa on 29 July 1988.

 
 
 
 
Use the link below to read a brief article about MENGISTU LEMMA by his former university colleague JANE PLASTOW:
 


 
 
 
 
 
 
 
 
 
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Wednesday, 7 June 2023

The Write Advice 181: CATHERINE JINKS

 
…Nor am I sure that storytelling is something you can learn.  I think it's basically instinctive, and comes naturally to people who are both sensitive to their audience and easily bored.  If you're easily bored, that's a great start.  Good storytelling is essentially a matter of expert pacing, no matter what the medium is.  And pace is something you can probably learn best from studying the masters.  Knowing where to put a climax, where to build tension, where to pull back and relax — that's something you pick up when you read a lot, or watch a lot of cinema, or listen to a really top-class raconteur.  One thing I can say here is that for writers, pace is not only about content, but about the way you put together sentences.  A series of short film shots — the sort of thing film directors do when they're covering a gun battle.  Long and complex sentences give a slower, more relaxed feel.
      You have to keep all this in mind, when you're telling a story.
 
 
'Advice for Business Writers From a Master Storyteller' (The Business Writer Compilation No.1) [date unspecified]
 
 
 
 
 
Use the link below to visit the website of Australian novelist and historian CATHERINE JINKS:
 
 
 
 
 
You might also enjoy:
 
 
 
 
 
 
 
 
 
 

Thursday, 25 May 2023

Think About It 086: GWYNETH LEWIS

 

We are all the artists of our own lives.  We shape them, as best we can, using our experience and intuition as guides.  But we're also natural liars and we get things wrong.  It's so easy for the internal commentary that forms how we live to become a forgery.  Approached in a certain way, depression is a lie detector of last resort.  By knocking you out for a while, it allows you to ditch the out-of-date ideas by which you've been living and to grasp a more accurate description of the terrain.  It doesn't have to come to this, of course, and most people are able to discern their own truths perfectly well without needing to be pushed by an illness.  But my imagination is strong and it takes some people longer than others to sort out pleasing fancies from delusions.
 
 
Sunbathing in the Rain: A Cheerful Book About Depression (2002)
 
 
 
 
Use the link below to visit the website of Welsh poet and writer GWYNETH LEWIS:

 
 
 
 
 
 
 
 
 
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Thursday, 18 May 2023

Thursday, 11 May 2023

Words for the Music 025: ROBYN HITCHCOCK

 

ROBYN HITCHCOCK
c 2017
 
 
 
 
BALLOON MAN
ROBYN HITCHCOCK & THE EGYPTIANS
from the 1988 A&M Records LP Globe of Frogs

 
 
 
 
 
BALLOON MAN


I was walking up Sixth Avenue
When Balloon Man came right up to me
He was round and fat and spherical
With the biggest grin I'd ever seen
He bounced on up toward me
But before we could be introduced
He blew up very suddenly
I guess his name was probably Bruce
 
And I laughed
Like I always do
And I cried
Like I cried for you
And Balloon Man blew up
In my hand
 
He spattered me with tomatoes, hummus, 
Chick peas and some strips of skin
So I made a right on Forty-Fourth
And I washed my hands when I got in

And it rained
Like a slow divorce
And I wished
I could ride a horse
And Balloon Man blew up
In my hand
 
I was walking up Sixth Avenue
When Balloon Man blew up in my face
There were loads of them on Bryant Park
So I didn't feel out of place
There must have been a plague of them
On the TV when I came home late
They were guzzling marshmallows
And then jumping off the Empire State
 
And I laughed
Like I always do
And I cried
Like I cried for you
And Balloon Man blew up
In my hand
Balloon Man blew up
In my hand

 
 
Words and music
Robyn Hitchcock
 
© 1988 Two Crabs Music (PRS)
 
 

 
It's unfortunately easy to understand why Balloon Man failed to become a massive Top 40 hit when it was released in 1988.  For a start, it doesn't contain the word 'love' and is completely devoid of even the vaguest suggestion of sentimentality or cliché.  The weird little tale it tells has a decidedly psychedelic flavour that's made palatable to the listener by being cleverly combined with humour (which may explain why it became so popular on US college radio) and an infectiously catchy melody.  There's a marvellous cartoonishness about Hitchcock's imagery that allows him to constantly defeat the listener's expectations by inserting words and concepts — 'spherical, 'Bruce,' '…spattered me with tomatoes, hummus, chick peas and some strips of skin' — that are as odd as they are arresting.  The rollicking chorus is impossible to forget, containing one of the most strikingly original images — 'And it rained, like a slow divorce' — I have personally encountered in a contemporary pop song.  In fact, I can't think of the word 'divorce' now without automatically pairing it with the word 'rain.'  How's that for some powerful mnemonics!
 
The good news is that Robyn Hitchcock is alive and well and living in the US city of Nashville where he continues to record fascinating, thought-provoking and gorgeously melodic music of the same consistently high quality.  His latest vocal LP Shufflemania! was released in October 2022 and showed no diminishment of his considerable gift for penning a memorable tune or lyrics that continue to impress with their rigorous avoidance of everything that is shallow, trite and obvious.  Some critics insist that he deserves to be more famous than he is, but I don't know that I agree with that.  Fame veers toward the banal and Hitchcock's music has always been the antithesis of banality.  It is witty, engaging, insightful and, on occasion, deeply moving and has been since his debut LP A Can of Bees, recorded when he was a member of the Canterbury-based band The Soft Boys, was released well over forty years ago. 
 
 
 
 
Use the link below to listen to more great music by English singer/songwriter ROBYN HITCHCOCK, including tracks from his first-ever instrumental LP Life After Infinity released in May 2023:
 
 
 


 
 
 
 
Special thanks to those who take the time to upload music to YouTube.  Your efforts are appreciated by music lovers everywhere.
 
 
 
 
 
 
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Thursday, 4 May 2023

The Write Advice 180: ANTHONY BURGESS

 

Like most novelists, I like to regard my books as works of craftsmanship for sale, objects as well-made as I can make them.  The deeper issues — aesthetic or social or metaphysical — are not my concern; they are strictly for the commentators.  A carpenter makes a chair for both use and ornament; the professional novelist hopes that his offering will provide refreshment for the mind and at the same time raise the mind closer to the eternal values of truth and beauty (which, as Keats reminds us, can be regarded as the same thing — different views of reality).  The problem of every professional craftsman is the reconciliation of these humble aims with the pressure of time.  Only the amateur — carpenter or novelist — has all the time in the world; the professional sometimes has to hurry.  If he is commissioned to write a book, that book must be delivered (just as a set of chairs must be delivered) by an agreed date.  He must say:  'Tomorrow I go out of circulation for a while; I must start a new novel.'  This, and his habit of gathering material in the hope that it may be useful for a novel, makes him seem cold-blooded to those who have a more romantic view of art — the Muse descending only when she decides to, the long wait — in an exophthalmic trance — for inspiration.  Novels are created by men and women who put bottom to chair and pen to paper.
 
'On The Margin' [The Novel Now, 1967] 
 
 
 
 
 
Use the link below to visit the website of THE INTERNATIONAL ANTHONY BURGESS FOUNDATION, an English-based organisation which 'encourages and supports public and scholarly interest in all aspects of the life and work of Anthony Burgess.'  It also operates an archive/performance space in his home town of Manchester.
 


http://www.anthonyburgess.org/
 
 
 
 
 
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Thursday, 2 March 2023

The Temporary Girl (2023) by BENTLEY RUMBLE

 

 


 



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Recognition: A Novel (2009) by BENTLEY RUMBLE