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Thursday, 26 September 2019

Think About It 049: HANNAH ARENDT


…in an ever changing, incomprehensible world the masses had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and that nothing was true.
   Mass propaganda discovered that its audience was ready at all times to believe the worst, no matter how absurd, and did not particularly object to being deceived because it held every statement to be a lie anyhow.  The totalitarian mass leaders based their propaganda on the correct psychological assumption that, under such conditions, one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in cynicism; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their superior tactical cleverness.

The Origins of Totalitarianism (1951)


 

Use the link below to read more about the life and work of German born North American philosopher and political theorist HANNAH ARENDT (1906–1975):

 

http://hac.bard.edu/about/hannaharendt/

 

 

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Think About It 043: KAREN HORNEY

 
Think About It 036: MARTIN SELIGMAN

  
Think About It 032: ABE OSHEROFF

Thursday, 12 September 2019

Poet of the Month 059: BASMA ABDEL AZIZ


BASMA ABDEL AZIZ 
2016








A BIT OF A LIFE



 

I probably did ––

 

observe one day

 

the fall of the sun
and caught the gold that was scattered
in the palm of the sea
and enclosed my ribs about
the last escaping heat
as I searched for a farewell
sifting through piles of sand

 

And I paced the city 
back and forth
I hung around in the old cafés
sipping at bottles of beer
I met with friends and passers-by
sat with literati and revolutionaries
and among the crowded tables
I spent long hours 

 

I went up and down
streets and discussions
but I remember that once
I bought
from the other end of the street
a mizmar!
And I stood under a balcony
observing wet newspapers
and the heavy clothes
shifting my feet 
in a puddle
making endless circles


 
 
date unspecified
 



 
 
mizmar = single or double reed conical shaped musical instrument






Translated by ALICE GUTHRIE
  
and members of the 
 





 

 

 

Born in Cairo in 1976, Basma Abdel Aziz has a BA in medicine and surgery, an MS in neuropsychiatry and a diploma in sociology.  She works for the General Secretariat of Mental Health in Egypt's Ministry of Health and the Nadeem Center for the Rehabilitation of Victims of Torture and also writes a weekly column for Egypt's daily Al-Shorouk newspaper for which she has earned herself the nickname 'the rebel.'

 

Abdel Aziz gained second place for her short stories in the 2008 Sawiris Cultural Award, and a 2008 award from the General Organisation for Cultural Palaces.  Her sociological examination of police violence in Egypt, Temptation of Absolute Power, won the Ahmed Bahaa-Eddin Award in 2009.

 

Her debut novel Al-Tabuur (The Queue) was published by Dar al-Tanweer in 2013.  Three years later US publisher Melville House published an English translation of the novel by Elisabeth Jaquette.

 

In 2016 Abdel-Aziz was named one of the leading global thinkers by US magazine Foreign Policy.  In 2018 she was named by the Gottlieb Duttweiler Institute in the list of top influencers of Arabic public opinion.

 

 

 

 

Use the link below to read a review of the 2016 English translation of The Queue by BASMA ABDEL AZIZ:

 

 

https://www.theglobeandmail.com/arts/books-and-media/book-reviews/review-basma-abdel-azizs-the-queue-is-an-evocation-of-the-ties-between-hegemonic-power-and-grassroots-dissent/article30253132/

 

 

 

 

 

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The Write Advice 025: SALWA BAKR

 

 

 
Poet of the Month 045: NICULINA OPREA

 

 

 
Poet of the Month 017: CAASHA LUL MOHAMUD YUSUF

 

 

Thursday, 5 September 2019

The Write Advice 124: JENNIFER DUMMER


I really do like books that make me forget my current surroundings.  And I love it when I can somehow identify with a character.  It’s fantastic when a story, and the style in which it is written, challenges me.  And I love it when a good sentence makes me stop, reach for my notebook, and write it down.  I’ve always enjoyed a reading experience whenever I’ve learned something new — about me or about the world — or when I was invited to travel and discover something I didn’t know before and wouldn’t have learned without reading about it.

Québec Reads [date unspecified]


 

Use the link below to visit the website (in German) of German writer, academic and devotee of Québecois literature JENNIFER DUMMER:

 

https://jenniferdummer.com/about/

 

 

You might also enjoy:

 
The Write Advice 107: FELICIA MIHALI

 
The Write Advice 104: ARIELLE AARONSON

 
The Write Advice 037: GABRIELLE ROY